![]() Or, as this powerful, must-see movie suggests, maybe not.Tips to Perfectly Uninstall Patterno 2.6 on Mac OS X Maybe, seven years later, in the context the USA Gymnastics scandal and the #MeToo movement, matters of institutional responsibility and personal culpability would be seen differently. It didn’t matter to them that Sandusky had continued molesting and raping young boys.Īt issue: Who knew what was happening and what did they do about it? They were certain that the coach had done his duty when he made that cursory call about Sandusky years before. They were furious that Paterno was fired. ![]() They destroyed property and overturned a TV news van. Next, on a Wednesday night in November of 2011, thousands of Penn State students stormed the area around the campus and rioted. Pushed into doing it, Paterno reluctantly says he’s going to resign at the end of the season. ![]() The climax is exactly what happened in reality. I was told, ‘You’re emotional right now.’” Meanwhile, at Paterno’s house, the old man says, “I get that everybody’s upset, but there’s a legal process to unfold.” His mom tells the young reporter, “When I said call the police, ’cos that guy touched my kid, I was told to go home and sleep on it. The boy is resigned to the disapproval that will engulf him. The situation in the Paterno household is contrasted with the home of one of Sandusky’s victims. Eventually, the panicked family resorts to Google to find a crisis-management expert. When his family directs him to read the indictments, he says, “They indict me?” The answer is “No.” And Paterno shrugs, says, “So …?” and goes back to watching football on TV. Even when he moves from one chair to another in his home, there is silence, because he’s moving. When he wants to talk, everybody else shuts up. Pacino’s Paterno is a powerful, elderly man concerned with himself. It sticks to the facts of the case as known. The film (directed by Barry Levinson, written by Debora Cahn and John C. Joe Paterno was told about Sandusky’s behaviour some years earlier and duly made a cursory call to someone else at the university. His family reads the documents, and a slow, terrible trepidation dawns. He says he’s so focused on playing Nebraska next week that he doesn’t have time to read the indictments against Sandusky. What he wants is to prep for the next game. A word or even a murmur from old Joe and everybody instantly does what he wants. He looks down on the field, an emperor gazing on his gladiators doing battle. He sits in the press box at the stadium because his hip hurts. It’s a vital game for Penn State, apparently, but really, it’s about Paterno winning a record 409th game. The opening scene, sublimely staged, gives us the platform on which the drama plays out. Pacino is superb as a doddering but canny Paterno, a man who likes to portray himself as ancient and only interested in coaching football. Mostly, it is about the selfishness of old men. It’s about how sport is used as an excuse to rationalize what is inexcusable. The movie is about the ugliness of the public response when a hero is revealed as deeply flawed. Her story was ignored for months, but then Ganim witnessed the impact of the indictments against Sandusky and the furious, bewildered response of the university and the community. It is in part about the young reporter Sara Ganim (played by Riley Keough) who broke the Sandusky story for the tiny Harrisburg Patriot-News. This is about Joe Paterno, then 84 years old, much admired – if not worshipped – in college football, and how he reacted.
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